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All quiet family and friends, all good

I was a purist vision of the film.

bothered by crunching popcorn (which should be allowed to nibble only in action scenes when the volume is so high that they do not disturb others).

annoyed by those who do not turn off the phone and it's ringing. They remind me that there is a world outside, I'm sitting in a room and not standing on a ledge with the bad that is giving me hunting, I suffer jetlag out instantly from the big screen because of a stupid ringtone.

(A. it is more than me, he wavered on the death penalty considering that there are people that respond to cell phone but his humanity prevailed.)

annoyed by commentators. Those who make the commentary to what is happening, those who do not understand what is happening and ask the friend / a, boyfriend / girlfriend to enlighten those who feel the irrepressible need to express their disapproval or their enthusiasm (the latter a bit 'I forgive them because the passion is so rare these days).

Then life (read mothers) led me to be a bit more tolerant.

not turn off the phone more because if there is an emergency and grandparents or babysitter must advise me?
(But I have never rang, active vibration and keep me on my knees. Sgarro not ever know who is sitting in the seat next A. and that the risk of divorce).

What about the commentators, sometimes one of the liveliest is sitting on my legs. Especially during the first movie you saw, the smurf was better than a speaker and also declared to all his great expectations for the bad.

However, a cartoon is a cartoon. The film is another thing. The dialogue is sacred.

But reading in a collection of articles on film by Gianni Amelio, a piece dedicated to Jacques Tati, I find it a little lesson.


Playtime When he left, his most expensive film, Tati is said to be happy if the public commented in entry high. Who cares, dialogue, something that surprises them better to the point of tearing a comment, a remark, an exclamation.


It is true that we are not from the parts of some memorable dialogue (all Tarantino), but Tati reminds me of a truth: if a true film lover could save one thing, this would be the image.