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critical and critical



I saw recently "Ratatouille" and the review of Ego is one of the most highest in the film.
The next day I read the beautiful portrait of Roberto Mariani contained in "Artists, madmen and criminals" by Osvaldo Soriano.
also on the life of Mariani, a poet and storyteller, the figure of the critic, especially of such Avelino Castro, has cast its shadow. Mariani tells Soriano gathered in a book that reviews all relating to him for the idiocy of which the same were a sample.
(Not for this did not suffer.) Here are a few steps.

"In a piece of the story of Mariani says:

Muguette When he tried to tighten his bank, to tie him to the more flirtatious bachelor pad (...)

paragraph inflamed the erudition of Castro, who points out in his critique:

We can not explain what you mean tell the author when he writes that Muguette tried to fasten it to his bank, because Muguette, being a woman, could not be sea, and then have the banks.

As for a paragraph that says:

The absence of Muguette filled the white margin of his life

Castro notes:

If the margin was white, it is clear that it was filled. If it was filled, was no longer white. What is not written is not written. They are self-evident truth. "

Then there is a person who, at the time of Holden School, has bewitched by the art of film criticism by showing how it can be the highest form of love for a work, such as critical do philosophy, interpretation of thought, reveals the forms of art showing the many aspects only visible to the eye of the magician. There are those who work and who conceives through it.
This person is called Bruno Fornara.
Ed is one of those lucky encounters that changes your life.

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Four or five things I learned

These first few days holidays have been useful as a teaching:

- yearn unnecessary removals in other latitudes, warmer, less humid viruses nursery should be strong everywhere (we receive data from Lazio, Puglia, Sicily )

- to attend performances of Christmas is always a small elite group of survivors, needless to distribute portions of the script. More realistic to stage a Beckett with two or three characters. Better yet a monologue (there is always a Gaston, a successful from an early age).

- Santa does not ever get sick, get out of resources, and unthinkable is always to seeking. Perhaps quilting reindeer antibiotics but did not sgarra.

- who sends his best wishes to the whole book (and find out why is a former member or friend you always called Gigi and instead signed with the SMS is first and last name) does not deserve response. The good wishes are sent or heard or did not send.

- in old magazines buried under the mountain of new and revived to clean glasses or collecting scraps of artichokes, etc.. interesting articles that are hidden at first sight had escaped. (But you never open certain magazines? So new, so pristine, so little wrinkled ... suggest that the days when they were discarded)

- The demands of adults in Santa Claus are more difficult to fulfill. I, for example I would just go to the movies with A. and so far we have not yet ...

(to be continued)