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critical and critical



I saw recently "Ratatouille" and the review of Ego is one of the most highest in the film.
The next day I read the beautiful portrait of Roberto Mariani contained in "Artists, madmen and criminals" by Osvaldo Soriano.
also on the life of Mariani, a poet and storyteller, the figure of the critic, especially of such Avelino Castro, has cast its shadow. Mariani tells Soriano gathered in a book that reviews all relating to him for the idiocy of which the same were a sample.
(Not for this did not suffer.) Here are a few steps.

"In a piece of the story of Mariani says:

Muguette When he tried to tighten his bank, to tie him to the more flirtatious bachelor pad (...)

paragraph inflamed the erudition of Castro, who points out in his critique:

We can not explain what you mean tell the author when he writes that Muguette tried to fasten it to his bank, because Muguette, being a woman, could not be sea, and then have the banks.

As for a paragraph that says:

The absence of Muguette filled the white margin of his life

Castro notes:

If the margin was white, it is clear that it was filled. If it was filled, was no longer white. What is not written is not written. They are self-evident truth. "

Then there is a person who, at the time of Holden School, has bewitched by the art of film criticism by showing how it can be the highest form of love for a work, such as critical do philosophy, interpretation of thought, reveals the forms of art showing the many aspects only visible to the eye of the magician. There are those who work and who conceives through it.
This person is called Bruno Fornara.
Ed is one of those lucky encounters that changes your life.