"No one, wise or foolish, young or old, can escape death. That is my only desire was to solve this eternal mystery. The rest was secondary."I like to imagine that an elderly person can reflect on death without fear, but embrace all those who remain and giving them what he understood in the years in which he lived.
(Nichiren Daishonin)
Clint Eastwood gave me this dream.
Signs a film that chooses the theme of the themes and the film gives the lightness and the depth of one who shuns the questions painful but retains the clarity of being fully in the present.
The film is a kaleidoscope of humanity, the colored beads are made to show us so many lives, and their combination in pain and salvation.
George (a Matt Damon as good as ever) that seems doomed in the tight spaces of his house Marie and it seems that it is saved in the open without shelter as possible. A child condemned to always be half of something because his sister died in a car accident.
And the other characters tell us the hope of dialogue, of redemption, the inability to resign himself to let go of what it was. Melanie between them as a lack of romance with George is one of the most remarkable film.
the impressive opening sequence that surprises us and drags us into the vortex of the unexpected without exemption.
About the final sequence at the book fair is a bit 'forced, but the scene in the gallery continue to defend it even though I am to have cost some discussion.
George stops to see the past of others and begins to see his bright future, clean, exciting and rightly highlighted by a lacquered photography choice.
The way the film seems encapsulated in the call of the child: a reminder that we can only imagine what lies beyond the threshold, but on this side there is this to live.
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